Search Results for “Judy Garland

WIZARD OF OZ, THE (1939) BTS Judy Garland plays with Toto

[Los Angeles: Metro-Goldwyn-Mayer, 1939]. Vintage original 8 x 10″ (20 x 25 cm.) black-and-white single weight glossy silver gelatin photo. Fine.

The MGM set photographer captured Judy Garland in a series of photos with her co-star Terry (as Toto) in which they played together while waiting to film their next scene. Garland became so close to Terry that she asked if she could buy her but the dog, which appeared in many films, was too valuable to her trainer. 

Photo includes its original attached paper blurb, printed text and ink code stamp on verso. Photo is coded “1060 X 49”.

WIZARD OF OZ, THE (1939) BTS Judy Garland scolds Toto

[Los Angeles: Metro-Goldwyn-Mayer, 1939]. Vintage original 8 x 10″ (20 x 25 cm.) black-and-white single weight glossy silver gelatin photo. Fine. 

While between takes on the OZ sound stage, the set photographer shot a series of photos with Judy Garland and her co-star Terry (as Toto) which were used for pre-release publicity. This is one of the most charming. 

The photo includes its original paper blurb, printed text and ink code stamp on verso. Photo is coded “1060 x 40”. 

JUDY GARLAND & MICKEY ROONEY MUSICALS (1939-40) Set of 2 publicity photos

[Los Angeles: Metro-Goldwyn-Mayer, 1939] Set of two (2) vintage original 8 x 10″ (20 x 25 cm.) black-and-white single weight glossy silver gelatin photos. Fine.

With THE WIZARD OF OZ and four other films during the 1939-40 season, Judy Garland achieved a place on the box office top ten roster for 1940. These included the Busby Berkeley-directed BABES IN ARMS (they are seen with Douglas McPhail and Betty Jaynes) and STRIKE UP THE BAND. 

Both photos feature their attached paper blurbs and printed text on verso. Stills are coded “1088-117” and “S1141-143” with minor edge wear.

JUDY GARLAND FASHION (1940) Publicity photo

[Los Angeles, 1940] Vintage original 8 x 10″ (20 x 25 cm.) black-and-white single weight glossy silver gelatin photo. Minor wear. About fine.

Under the studio system, stars were obligated to endlessly pose for publicity, including fashion shots such as these. Garland merchandised her own line of clothes, as well as toy, doll and book items. She even had a flower shop on Wilshire Blvd. in Los Angeles, and this photo was taken near that location. 

Paper blurb, printed text and ink code on verso.

JUDY GARLAND’S 17th BIRTHDAY PARTY (1939) Publicity photo

[Los Angeles, 1939] Vintage original 8 x 10″ (20 x 25 cm.) black-and-white single weight glossy silver gelatin photo. Fine.

Garland and her family moved into 1231 Stone Canyon Road while still working on THE WIZARD OF OZ. Though the original paper and printed text blurbs say that this party was for her 16th birthday, it was really her 17th birthday in June 1939. She is seen dancing in her living room with co-star Mickey Rooney. 

Paper blurb, printed blurb and code ink stamp on verso. Still is coded “1088 x 48”.

JUDY GARLAND AT HOME (1939) Set of 2 publicity photos

[Los Angeles, 1939] Set of two (2) vintage original 8 x 10″ (20 x 25 cm.) black-and-white single weight glossy silver gelatin photos. Fine.

The golden year of Hollywood film is 1939, and it was Judy Garland’s golden year as well. She reached star status, had her hand and footprints and signature placed at Grauman’s, won an Academy Award and with just her $500-per-week salary was able to have famed architect Wallace Neff design and build her a Bel-Air home on Stone Canyon Road with her own separate bedroom suite. The house stands nearly unchanged to this day. 

The photo of her relaxing in her suite has not been seen before. The other shows her in the backyard of the estate which included a tennis court and swimming pool. Both include their original attached paper blurbs and studio printed text. Stills are coded “5364”and “5375”.

JUDY GARLAND | A STAR IS BORN (1954) Record store display poster

[Los Angeles: Warner Brothers, 1954]. Vintage original 12 x 26″ (30 x 67 cm.) tri-folded poster. Overall minor edge wear, a bit more at top right side and mid left side and at fold creases, very good.  

This poster is for record store display for the 1954 Columbia Records first release of this historic film soundtrack. Judy Garland recorded exclusively for Decca Records between 1936-1946. Her home film studio, MGM, asked her to give up that contract when they started releasing soundtracks in 1946. Though some of the Decca output included her movie songs, she was able to branch out in many styles and perform record-only songs for Decca. 

Though she continued that career path on radio, it was not until leaving MGM and creating her own stage show that she then went back to her recording career. In 1953 she signed a contract with Columbia Records, recorded four sides of pop songs and then embarked on the challenge of making her musical film version of A STAR IS BORN. As she was signed with Columbia for recordings, they made a deal with Warner Brothers to release a soundtrack album in 1954. It was released in 33 rpm and in a box set of 78 rpm records. It reached fourth place on the Billboard chart when first released.

Judy Garland @ 100

A major moment of movie memorable as well as an important birthday for one very famous female vocalist happened this year. Judy Garland (born Frances Ethel Gumm on the 10th of June 1922) turned 100.  In honor of her centennial birthday, celebrations have taken place across the United States and at Garland-loving locations around the world.

JUDY GARLAND (1941) Set of 5 photos

[Los Angeles: Metro-Goldwyn-Mayer, 1941]. Collection of five (5) vintage original 8 x 10″ (20 x 25 cm.) black-and-white single weight glossy silver gelatin print still photos. Overall signs of light handling, including scattered creases, very good or better.

This group of images, each with paper blurb with a sequence number, relates to MGM biography and production photos used to tell Judy Garland’s life story in a movie magazine publication. Some have the information typed on the verso, too, and several have publication ink stamps and studio photo ink stamps on verso. One has sizing marks on the front.

Included are images of her as a baby, as a child in vaudeville, and in her early MGM film roles.

JUDY GARLAND | FOR ME AND MY GAL (1942) Photo

[Los Angeles: Metro-Goldwyn-Mayer, 1942]. Vintage original 8 x 10″ (20 x 25 cm.) black-and-white single weight glossy silver gelatin print still photo. Wear and small tear at top left corner, minor edge wear, near fine.

Judy Garland poses in a lovely lace gown which was designed for her by Robert Kalloch and used on much of the publicity and poster art (though not in the film).

JUDY GARLAND, MICKEY ROONEY | STRIKE UP THE BAND (1940) Photo

[Los Angeles: Metro-Goldwyn-Mayer], 1940. Vintage original 8 x 10″ (20 x 25 cm.) black-and-white single weight glossy silver gelatin print still photo. Edge and corner wear. A semi-circle was added above the two heads for printing purposes. Very good.

The second of the grand Garland-Rooney extravaganza musicals. There were Academy Award nominations in a competitive year.

This image was used extensively for PR (including for a one sheet poster). Original paper blurb on verso indicates this print as being used to advertise the 10-28-40 broadcast of the radio play version of the film. Coded #1141-147, pencil note of “107” at top right corner.

WIZARD OF OZ, THE (1939) Judy Garland wears bedroom slippers

The Wizard of Oz is the most recognized film of all time. Its status is legendary and any original ephemera of 1939 is a collectors’ and archivists’ gold. From L. Frank Baum’s popular children’s classic, the film referring to the book opens with the title “For nearly forty years this story has given faithful service to the Young in Heart; and Time has been powerless to put its kindly philosophy out of fashion.” For 80 plus years since, the movie has become beloved by new generations who still find this message true. The brilliant cast members each became film legends for the characters they portrayed. Celebrating a new year, we present a fine array of original 1939 production stills for your consideration.

WIZARD OF OZ, THE (1939) [Hollywood]: Metro-Goldwyn-Mayer, 1939. Vintage original 8 x 10″ (20 x 25 cm.) black-and-white double weight glossy silver nitrate photo print, FINE. Judy Garland, Frank Morgan, Ray Bolger, Jack Haley, Bert Lahr, Billie Burke, Margaret Hamilton, dir: Victor Fleming; MGM.

In this original studio release double weight photo with printed text, advertising approval ink stamp and photo number ink stamp (“1060-86”) present on verso, we spot Judy Garland as Dorothy wearing her rehearsal booties instead of the ruby slippers as she and Ray Bolger as the Scarecrow observe Jack Haley’s Tin Man dance. Minor waver at bottom right margin.

WIZARD OF OZ, THE (1939) Judy Garland and Ray Bolger meet Jack Haley

The Wizard of Oz is the most recognized film of all time. Its status is legendary and any original ephemera of 1939 is a collectors’ and archivists’ gold. From L. Frank Baum’s popular children’s classic, the film referring to the book opens with the title “For nearly forty years this story has given faithful service to the Young in Heart; and Time has been powerless to put its kindly philosophy out of fashion.” For 80 plus years since, the movie has become beloved by new generations who still find this message true. The brilliant cast members each became film legends for the characters they portrayed. Celebrating a new year, we present a fine array of original 1939 production stills for your consideration.

WIZARD OF OZ, THE (1939) [Hollywood]: Metro-Goldwyn-Mayer, 1939. Vintage original 8 x 10″ (20 x 25 cm.) black-and-white single weight glossy silver nitrate photo print, ABOUT FINE. Judy Garland, Frank Morgan, Ray Bolger, Jack Haley, Bert Lahr, Billie Burke, Margaret Hamilton, dir: Victor Fleming; MGM.

A superb image of Judy Garland as Dorothy and Ray Bolger as the Scarecrow meeting Jack Haley as the Tin Man. This early release photo stamped “July 1939” was utilized for newspaper use prior to the film’s Aug. 15 premiere and release. Original ACME paper blurb on verso along with photographer and dated department stamps. Minor crease at top right corner.

WIZARD OF OZ, THE (1939) Judy Garland and the Munchkins

The Wizard of Oz is the most recognized film of all time. Its status is legendary and any original ephemera of 1939 is a collectors’ and archivists’ gold. From L. Frank Baum’s popular children’s classic, the film referring to the book opens with the title “For nearly forty years this story has given faithful service to the Young in Heart; and Time has been powerless to put its kindly philosophy out of fashion.” For 80 plus years since, the movie has become beloved by new generations who still find this message true. The brilliant cast members each became film legends for the characters they portrayed. Celebrating a new year, we present a fine array of original 1939 production stills for your consideration.

Wizard of Oz, The (1939) [Hollywood]: Metro-Goldwyn-Mayer, 1939. Vintage original 8 x 10″ (20 x 25 cm.) black-and-white single weight glossy silver nitrate photo print, USA. Judy Garland, Frank Morgan, Ray Bolger, Jack Haley, Bert Lahr, Billie Burke, Margaret Hamilton, dir: Victor Fleming; MGM.

Judy Garland as Dorothy is welcomed in musical recitative to Munchkinland by the Munchkins when her Kansas house lands on the Wicked Witch of the East, rendering her dead. With its original typed paper blurb lightly attached on the verso in near mint condition, coded “1060-12”.  This image, used for a 1939 lobby card, is the only still photo of this scene, FINE.

JUDY GARLAND SHOW, THE (1963-64)

The Judy Garland Show [Hollywood] CBS, 1963. Vintage original 7 x 9″ (17 x 22 cm.) black-and-white single weight glossy silver gelatin print still photo, USA. Judy Garland, dir: George Schlatter, CBS.

With her phenomenal concert success, billboard charted records, Grammys, film work with an Academy Award nomination and TV specials, Judy was ready for her own television series in 1963. There was one season, but to this day it represents the finest of the musical variety television format including iconic moments.

This photo advertised the broadcast of the first show in Sept. 1963, FINE.

JUDY GARLAND | I COULD GO ON SINGING (1963) Set of 2 UK photos

I Could Go On Singing (1963) [England] United Artists (1963) Set of two (2) vintage original 10 1/2 x 13 1/2″ (26 x 34 cm.) single weight glossy silver gelatin print still photos, UK. Judy Garland, Dirk Bogarde, dir: Ronald Neame, United Artists.

Riding the wave of another surge in her success due to epic concert touring, Judy again returned to filmmaking in the early-1960s. Venturing to England to work on this semi-autobiographical film, Judy performed as she did live at the famed Palladium.

In these two images she performs the title song. FINE.

JUDY GARLAND, MICKEY ROONEY, SHIRLEY TEMPLE at MGM (1941)

Vintage original 8 x 10” (20 x 25 cm.) black and white, single weight glossy silver gelatin print still photo, USA. Judy Garland, Mickey Rooney, Shirley Temple; Metro-Goldwyn-Mayer. For a brief period, Shirley Temple joined the MGM star roster. Having left Twentieth Century Fox in spring 1940 so as she could go to school and have a more normal life, she was bored with non-movie making life within a year. In spring of 1941 her mother signed a contract with MGM and Shirley was assigned to the Freed unit to do a big musical with Mickey and Judy. The film was BABES ON BROADWAY. Mrs. Temple, however, was not ready to allow Shirley to be a co-star, and feared that the duo would outshine Shirley, hence she took her out of the film and a starring vehicle, KATHLEEN, was instead assigned to Shirley. It did poorly and the Temples left MGM. Upon her arrival though, Mickey and Judy showed her around the studio. Photo has several border and corner tears and creases, all of which have been tape repaired on the verso. VERY GOOD-FINE.

WIZARD OF OZ, THE (1939) Judy Garland and Ray Bolger

Vintage original 8 x 10” (20 x 25 cm.) black and white single weight glossy silver gelatin print still photo, USA. Judy Garland, Frank Morgan, Hamilton, Billie Burke, dir: Victor Fleming; Metro-Goldwyn-Mayer. Amongst the first scenes to be filmed under the director’s hand of Victor Fleming was Dorothy’s meeting of the Scarecrow in the cornfield on the way to the Emerald City. Some months before this Oct. 1938 meeting, Judy and Ray went through the same paces on a much different set under the direction of Richard Thorpe. The footage was unsatisfactory and scrapped. George Cukor took over for a while and both characters costume and make up were greatly changed. Fleming oversaw the reconstruction of the set! Months after this, when an additional musical number was decided upon, in April 1939, this set was reconstructed and Garland and Bolger went through more paces Ray Bolger, Jack Haley, Bert Lahr, Margaret under Busby Berkeley’s hand. That footage was completely cut, though found some 50 years later. This is still 1060-60. The slight sepia toned photo has a crease at the top left corner and archival tape has been used to re-enforce. A tear at mid margin right has been repaired and tape has pulled a bit of border emulsion and bit of the paper from the verso. Copyright, 1939 Loew’s, Inc. and title information along the bottom margin. VERY GOOD-FINE.

WIZARD OF OZ, THE (1939) Judy Garland and the Munchkins

Vintage original 8 x 10” (20 x 25 cm.) black and white single weight glossy silver gelatin print still photo, USA. Judy Garland, Frank Morgan, Ray Bolger, Jack Haley, Bert Lahr, Margaret Hamilton, Billie Burke, dir: Victor Fleming; Metro-Goldwyn-Mayer. So rare and coveted are any original promotional items from this classic film which has become part of the American psyche. This still, 1060-23 is one of the few to feature Judy Garland as Dorothy with the Munchkins, here she intently listens to the words of the Mayor of Munchkin City as played by Charles Becker. This photo has been well used. There are tears and creases along the left margin which have been re-enforced with archival tape on the verso. There are creases at the corners and soling to the borders. Copyright, 1939 Loew’s, Inc. and title information along the bottom margin. One of the very few images which feature Judy in her “farm girl” shoes rather than the ruby slippers. VERY GOOD.

ZIEGFELD GIRL (1941) Judy Garland and Lana Turner

Vintage original 10 x 8” (25 x 20 cm.) black and white single weight glossy silver gelatin print still photo, USA. Judy Garland, Lana Turner, Hedy Lamarr, James Stewart, dir: Robert Z. Leonard; Metro-Goldwyn-Mayer. Lana Turner and Judy Garland pose for a publicity still on the Ziegfeld Follies backstage rehearsal set. The story of three girls in show business and the different paths their lives take is an archetype which has been played out in many variations. The film was in development since 1938 and was to originally star a combination of MGM top female stars of the time including Eleanor Powell, Joan Crawford, Virginia Bruce and Margaret Sullavan. However, by 1940, the script was developed for the new reigning female stars. Garland and Turner first worked together in 1938 when Turner was brought into MGM by her mentor Mervyn Le Roy. The two co-starred in LOVE FINDS ANDY HARDY and became good friends, and remained so even when Turner eloped with Garland’s crush Artie Shaw. The two appear to be sharing confidential information in photo coded 1165-173. Slight soil to the blank white margins. ABOUT FINE.

JUDY GARLAND / BROADWAY MELODY OF 1938 (1937) by Clarence Sinclair Bull

Vintage original 10 x 8” (25 x 20 cm.) black-and-white single weight glossy silver gelatin print still photo, USA. Robert Taylor, Eleanor Powell, George Murphy, Sophie Tucker, Buddy Ebsen, Judy Garland, dir: Roy Del Ruth; Metro-Goldwyn-Mayer.

From March through July of 1937, Judy Garland was working on her first MGM feature production, BROADWAY MELODY OF 1937. She had appeared in several shorts for MGM and a feature at Twentieth Century Fox in 1936. Though she had signed with MGM in 1935, the studio was not sure what to do with her initially and groomed her slowly. Most of her first year was spent doing radio appearances so as audiences would become accustomed to the mature voice the 13 year-old possessed. She signed a contract with Decca records on her own at the time.

When, in Feb. 1937 she sang a special version of the song “You Made Me Love You” to Clark Gable at his studio birthday party, executives felt that the piece was so outstanding that she needed to perform it in a feature — thus, the role of Betty Clayton was created for the new Eleanor Powell-starring vehicle. The film was renamed BROADWAY MELODY OF 1938 and publicized as being so NEW that it was a year ahead of its time!

To promote her new feature, Garland at age 15 posed for a variety of portraits for famed photographer C.S. Bull. His ink stamp is on the verso as is a date of July 7, 1937, and pencil notations for magazine use. Another ink date stamp of Jun 18, 1969, is also present for another publishing, which was just 4 days before her death.

Shows signs of use including light crop markings on the image, and light creasing at the four corners. Scratch to emulsion on piano music stand, VERY GOOD-FINE.

JUDY GARLAND / STRIKE UP THE BAND (1940) Glamour portrait

Vintage original 8 x 10” (20 x 25 cm.) black and white single weight glossy silver gelatin print still photo, USA. Judy Garland, Mickey Rooney, Paul Whiteman and His Orchestra, June Preisser, dir: Busby Berkeley: Metro-Goldwyn-Mayer. Judy Garland was allowed a bit more glamour with each new film, including those in which she played the girl next door to Mickey Rooney. Judy turned 18 during production and not long after was engaged to be married. This was a story of High School Seniors who form a jazz band and win a big competition put on by Paul Whiteman. Slight creases at corners only. ABOUT FINE.

JUDY GARLAND / EVERYBODY SING (1938)

Vintage original 8 x 10” (20 x 25 cm.) black and white single weight glossy silver gelatin print still photo, USA. Judy Garland, Billie Burke, Fanny Brice, Allan Jones, Reginald Owen, dir: Edwin L. Marin; Metro-Goldwyn-Mayer. This story, initially titled THE UGLY DUCKLING, gave Judy great comic and dramatic moments as well as songs in the form of ballad, swing and minstrel — utilizing all her grand talents. Here she is with leading lady Lynn Carver, who plays her sister. Still is coded 1020-13 and has minimal edge wear. ABOUT FINE.

JUDY GARLAND | I COULD GO ON SINGING (1963) Performing “It Never Was You”

Vintage original 9 x 7″ (23 x 18 cm.) borderless single weight glossy silver gelatin print still photo, USA. Judy Garland, Dirk Bogarde, Jack Klugman, Aline MacMahon, Gregory Phillips, dir: Ronald Neame; United Artists. A very fine glossy print, fine.

Judy Garland’s satisfying swan song film. Originally titled (and released in Europe) as The Lonely Stage, both titles were appropriate for Garland. Essentially a soap opera, nowadays it is seen as a glossy 1960s drama in the style of The V.I.P.s and similar ’60s films.

Even today, the acting by both Garland and Dirk Bogarde (and the supports) is considered superb and the musical interludes, spell binding. Most of Garland’s concert performance work in the film was shot at the actual London Palladium, the scene of several record-breaking concert engagements by Garland. A mock-up of the Palladium stage was erected at Shepperton Studios for some of her songs and this still is for one of those.

Here she performs, with just a pianist (David Lee), the beautiful Kurt Weill/Maxwell Anderson song “It Never Was You”. Garland is framed in light on the stage, an iconic image of the beloved lady. Bob Willoughby is credited with the still photography on this film. It is coded LS (1317)-3 on the front.

WIZARD OF OZ, THE (1939) Tin Man dance scene still

[Los Angeles: Metro-Goldwyn-Mayer, 1939]. Vintage original 8 x 10″ (20 x 25 cm.) black-and-white single weight glossy silver gelatin photo. Fine.

Judy Garland and Ray Bolger as Dorothy and the Scarecrow assist Jack Haley as the Tin Man in his dance as he laments his fate of being rusted. 

Photo includes Loews copyright on front bottom margin and includes its original attached paper blurb, printed text and ink code stamp on verso. Photo is coded “1060-84”. 

WIZARD OF OZ, THE (1939) Characters in Winkie costumes

[Los Angeles: Metro-Goldwyn-Mayer, 1939]. Vintage original 7.5 x 9.5″ (18 x 23 cm.) black-and-white single weight glossy silver gelatin print still photo, USA. Judy Garland, Frank Morgan, Ray Bolger, Jack Haley, Bert Lahr, Billie Burke, Margaret Hamilton, dir: Victor Fleming. Possibly lightly trimmed for publication, near fine.

Bert Lahr, Jack Haley and Ray Bolger are dressed as the Wicked Witch’s Winkie guards as they rescue Dorothy from the witch’s castle.

Still is coded. “106-100”. Original paper blurb on verso.

WIZARD OF OZ, THE (1939) Tin Man in forest

[Los Angeles: Metro-Goldwyn-Mayer, 1939]. Vintage original 8 x 10″ (20 x 25 cm.) black-and-white single weight glossy silver gelatin photo. About fine.

Judy Garland is featured with co-stars Ray Bolger and Jack Haley in their respective iconic roles in the scene where Dorothy and the Scarecrow first meet the Tin Man. 

Still is coded “1060-77”. 

WIZARD OF OZ, THE (1939) Dorothy meets the Scarecrow in cornfield

[Los Angeles: Metro-Goldwyn-Mayer, 1939]. Vintage original 8 x 10″ (20 x 25 cm.) black-and-white single weight glossy silver gelatin photo. Near fine.

Judy Garland as Dorothy meets Ray Bolger as the Scarecrow. This is the first sequence which was filmed. Principal photography of the film started in Oct. 1938 and finished in Mar. 1939. Still is coded. “1060-60”. 

M-G-M’S STUDIO BOSS AND HIS TOP TALENT (1943) Oversize photo

[Hollywood: MGM, 1943]. Vintage original 16 x 20″ (41 x 51 cm.) oversize black-and-white print still photo, slight rippling and creasing at edges, near fine.

A collective portrait of MGM’s enormous star roster in 1943, which includes Katharine Hepburn (seated next to studio head Louis Mayer), Lucille Ball, Hedi Lamarr, James Stewart, Spencer Tracy, and many others. Descriptive text at bottom gives the names of everyone in the photo.

It also lists actors missing because they were touring military camps during World War II (Lana Turner, Judy Garland, and others) and four actors who were now on active duty in the armed forces (including Clark Gable).

WIZARD OF OZ, THE (1939) Full-length portrait of Ray Bolger as the Scarecrow

The Wizard of Oz is the most recognized film of all time. Its status is legendary and any original ephemera of 1939 is a collectors’ and archivists’ gold. From L. Frank Baum’s popular children’s classic, the film referring to the book opens with the title “For nearly forty years this story has given faithful service to the Young in Heart; and Time has been powerless to put its kindly philosophy out of fashion.” For 80 plus years since, the movie has become beloved by new generations who still find this message true. The brilliant cast members each became film legends for the characters they portrayed. Celebrating a new year, we present a fine array of original 1939 production stills for your consideration.

WIZARD OF OZ, THE (1939) [Hollywood]: Metro-Goldwyn-Mayer, 1939. Vintage original 8 x 10″ (20 x 25 cm.) black-and-white double weight glossy silver nitrate photo print, FINE. Judy Garland, Frank Morgan, Ray Bolger, Jack Haley, Bert Lahr, Billie Burke, Margaret Hamilton, dir: Victor Fleming; MGM.

Full length shot of Ray Bolger as the Scarecrow used for the film’s publicity art. The date stamp of “Feb. 9, 1939” indicates this was released early on to be used for the ad department’s renderings for newspaper and magazine print ads. The printed typed blurb also appears on the verso. The photo number ink stamp of “106–144” also appears. Remnants of an attached paper blurb are also present.

WIZARD OF OZ, THE (1939) Superb close-up of Ray Bolger as the Scarecrow

The Wizard of Oz is the most recognized film of all time. Its status is legendary and any original ephemera of 1939 is a collectors’ and archivists’ gold. From L. Frank Baum’s popular children’s classic, the film referring to the book opens with the title “For nearly forty years this story has given faithful service to the Young in Heart; and Time has been powerless to put its kindly philosophy out of fashion.” For 80 plus years since, the movie has become beloved by new generations who still find this message true. The brilliant cast members each became film legends for the characters they portrayed. Celebrating a new year, we present a fine array of original 1939 production stills for your consideration.

WIZARD OF OZ, THE (1939) [Hollywood]: Metro-Goldwyn-Mayer, 1939. Vintage original 8 x 10″ (20 x 25 cm.) black-and-white double weight glossy silver nitrate photo print, FINE. Judy Garland, Frank Morgan, Ray Bolger, Jack Haley, Bert Lahr, Billie Burke, Margaret Hamilton, dir: Victor Fleming; MGM.

Superb close-up of Ray Bolger as the Scarecrow. Studio portrait is ink date stamped “8/4/39” just in time for the film’s New York and Hollywood premieres. There are also the printed text and photo number ink stamp of “1060-149” on the verso.

WIZARD OF OZ, THE (1939) Rare oversize exclusive of Ray Bolger as the Scarecrow

The Wizard of Oz is the most recognized film of all time. Its status is legendary and any original ephemera of 1939 is a collectors’ and archivists’ gold. From L. Frank Baum’s popular children’s classic, the film referring to the book opens with the title “For nearly forty years this story has given faithful service to the Young in Heart; and Time has been powerless to put its kindly philosophy out of fashion.” For 80 plus years since, the movie has become beloved by new generations who still find this message true. The brilliant cast members each became film legends for the characters they portrayed. Celebrating a new year, we present a fine array of original 1939 production stills for your consideration.

WIZARD OF OZ, THE (1939) [Hollywood]: Metro-Goldwyn-Mayer, 1939. Vintage original 10 x 13″ (25 x 32 cm.) black-and-white double weight glossy silver nitrate photo print, ABOUT FINE. Judy Garland, Frank Morgan, Ray Bolger, Jack Haley, Bert Lahr, Billie Burke, Margaret Hamilton, dir: Victor Fleming; MGM.

A very rare and likely exclusive oversize studio print of Ray Bolger as the Scarecrow. That the image lacks a production code/still number indicates its use for an exclusive magazine or newspaper article. Oversize images for The Wizard of Oz are rarely found. Bolger’s favorite role of his career, he fought hard to win the part and never tired of relaying the story’s ongoing philosophy to the public. Minor bend at top right corner, minor smudging.

WIZARD OF OZ, THE (1939) Laughing portrait of Bert Lahr as the Cowardly Lion

The Wizard of Oz is the most recognized film of all time. Its status is legendary and any original ephemera of 1939 is a collectors’ and archivists’ gold. From L. Frank Baum’s popular children’s classic, the film referring to the book opens with the title “For nearly forty years this story has given faithful service to the Young in Heart; and Time has been powerless to put its kindly philosophy out of fashion.” For 80 plus years since, the movie has become beloved by new generations who still find this message true. The brilliant cast members each became film legends for the characters they portrayed. Celebrating a new year, we present a fine array of original 1939 production stills for your consideration.

WIZARD OF OZ, THE (1939) [Hollywood]: Metro-Goldwyn-Mayer, 1939.  Vintage original 8 x 10″ (20 x 25 cm.) black-and-white double weight glossy silver nitrate photo print, FINE. Judy Garland, Frank Morgan, Ray Bolger, Jack Haley, Bert Lahr, Billie Burke, Margaret Hamilton, dir: Victor Fleming; MGM.

A wonderful laughing portrait of Bert Lahr as the lovable Cowardly Lion. Too large, perhaps, was Lahr’s great stage presence for film: he found the perfect role for his personality with this performance. Original studio-issued photo stamp dated 8/1/39 was put out just before the film’s release a few weeks later. The original printed studio blurb is on the verso, as is the photo number ink stamp of “1060-130”.

WIZARD OF OZ, THE (1939) In the Emerald City

The Wizard of Oz is the most recognized film of all time. Its status is legendary and any original ephemera of 1939 is a collectors’ and archivists’ gold. From L. Frank Baum’s popular children’s classic, the film referring to the book opens with the title “For nearly forty years this story has given faithful service to the Young in Heart; and Time has been powerless to put its kindly philosophy out of fashion.” For 80 plus years since, the movie has become beloved by new generations who still find this message true. The brilliant cast members each became film legends for the characters they portrayed. Celebrating a new year, we present a fine array of original 1939 production stills for your consideration.

WIZARD OF OZ, THE (1939) [Hollywood]: Metro-Goldwyn-Mayer, 1939. Vintage original 8 x 10″ (20 x 25 cm.) black-and-white double weight glossy silver nitrate photo print, ABOUT FINE. Judy Garland, Frank Morgan, Ray Bolger, Jack Haley, Bert Lahr, Billie Burke, Margaret Hamilton, dir: Victor Fleming; MGM.

Brilliant wide lens image of the four main characters in the Emerald City surrounded by its inhabitants. The characters react to the Wicked Witch of the West’s skywriting message. The fantasy Art Deco-influenced set was designed by Cedric Gibbons, while Adrian had a creative field day with his interpretation of how the citizens of Oz would dress. Original studio print ink date stamped “Jan. 27, 1939” was released soon after the Jan. 1939 filming on this set.  The stamped photo number of “1060-102” is present, as is the printed original text.  There is a minor crease at the top right corner and two minor creases near the bottom right corner.

STAR IS BORN, A (1954; 1984 reissue) Group of 28 photos

[France/USA] Warner Brothers, 1954 (1984 re-release) Group of twenty-eight (28) vintage original 8 x 11 3/4″  (20 x 29 cm.) single weight glossy print photos, France/USA, FINE. Judy Garland, James Mason, Jack Carson, Charles Bickford, dir: George Cukor, Warner Brothers.

After her many years as MGM’s top musical star, Judy ventured into her passion of live performance. For her triumphant return to movies, she co-produced one of the classic epics of Hollywood. Studio politics resulted in the film being truncated for popular release, and for over thirty years all elements of those cuts were thought lost.

In 1983 film historian Ron Haver presented a restoration including much of the cut material. This grouping of extremely rare, mostly behind-the-scenes images was presented in the US and France to promote this special release. It includes those exclusives taken by Bob Willoughby, some published in Life and Look magazines in 1954, but many never published.

Included are those taken on set of the cut musical numbers, Garland working with Cukor and the final day of shooting wrap party with celebrity friends.  Full information is present on all versos.

GIRL CRAZY (1943) by Jacques Kapralik

Girl Crazy (1943) [Hollywood] MGM, 1943. Vintage original 9 x 12″ (22 x 30 cm.) advertising pull-out on cardstock paper, FINE. Judy Garland, Mickey Rooney, dir: Norman Taurog, Busby Berkeley, Metro-Goldwyn-Mayer.

For the industry publication The Lion’s Roar, caricature artist supreme Jacques Kapralik created this art (originally in three dimensions using elements of yarn, fabric, paper, buttons, sequins and miniature creations) to highlight the themes and elements found in the film’s story.

The last and likely finest of the grand MGM Mickey and Judy musicals with a superb score by George and Ira Gershwin and a story set at a dude ranch college. Ad for film on verso, there is one pinhole.

LIFE BEGINS FOR ANDY HARDY (1941) by Jacques Kapralik

Life Begins for Andy Hardy (1941) by Jacques Kapralik. [Hollywood] MGM, 1941. Vintage original 9 x 12″ (22 x 30 cm.) advertising pull-out on cardstock paper, FINE. Judy Garland, Mickey Rooney, dir: George B. Seitz, Metro-Goldwyn-Mayer.

For the industry publication The Lion’s Roar, caricature artist supreme Jacques Kapralik created this art (originally in three dimensions using elements of yarn, fabric, paper, buttons, sequins and miniature creations) to highlight the themes and elements found in the film’s story.

Mickey Rooney and Judy Garland are featured in a New York City setting when Betsy Booth (Garland), daughter to a Broadway actress, shows small-town-USA Andy Hardy (Rooney) the ropes of making it in the big city. Garland and Rooney would make solo and Andy Hardy films between the big scale musicals. Ad for film on verso.

BABES ON BROADWAY (1941) by Jacques Kapralik

[Hollywood] MGM, 1941. Vintage original 9 x 12″ (22 x 30 cm.) advertising pull-out on cardstock paper, FINE. Judy Garland, Mickey Rooney, dir: Busby Berkeley, Metro-Goldwyn-Mayer.

For the industry publication The Lion’s Roar, caricature artist supreme Jacques Kapralik created this art (originally in three dimensions using elements of yarn, fabric, paper, buttons, sequins and miniature creations) to highlight the themes and elements found in the film’s story.

The “let’s put on a show” theme was presented at its most spectacular in this Busby Berkeley extravaganza produced by Arthur Freed. The Lion’s Roar magazine cover, trimmed on verso.

IN THE GOOD OLD SUMMERTIME (1949) Temporary Complete script by Frances Goodrich, Albert Hackett, Oct. 12, 1948

[under working title: GOOD OLD SUMMERTIME] [Hollywood]: MGM, 10-12-48 [with a variety of dates at top of each page up through 10-23-48]. Vintage original film script, quarto, brad bound (with lower brad absent), mimeograph, NEAR FINE, 123 pp. The front wrapper indicates the script is by Frances Goodrich and Albert Hackett.

Though some song placement is indicated in this temporary complete script, the songs themselves are not chosen (most of the musical program was made up of songs from the early-1900s). The film’s ending is a bit different from the final film — here, Judy Garland and Van Johnson are seen walking outside in the snow, and that image then dissolves into them walking together in the summer, pushing a baby carriage — as the ending had not been quite finalized.

BABES ON BROADWAY (1941) Film script by Fred Finklehoffe, Elaine Ryan dated May 21, 1941

[Hollywood]: MGM, 5/21/41 [with revisions on pink paper dated up through 11-4-41] Vintage original film script, quarto, brad bound, mimeograph, printed wrappers. Wrappers show a little light wear, 107 pp. The front wrapper indicates the script is by Fred Finklehoffe and Elaine Ryan, overall NEAR FINE.

Script for one of the classic Judy Garland-Mickey Rooney musicals. Directed by Busby Berkeley, this was the third of the series of Garland-Rooney musicals.

Some notes of interest include: the song “How About You?” was added on 8/29/41.  Though the block party sequence is written on 10/7, an added scene about the planning of the block party is added as late as 11/4, indicating an added scene which was filmed after initial production. The introduction to the Ghost Theatre scene is written on 10/7, thought the song sequence which followed is written prior on 7/3. Though the script includes “THE END “on the last page, the major production number which concludes the film is only indicated as “Babes on Broadway”.   Filming well into Nov. of 1941, the movie premiered the very last day of 1941 and was nominated by the Academy for Best Song.

OUTRAGEOUS! TARA PRESENTS BY POPULAR DEMAND CRAIG RUSSELL (1978) Special event poster

New York: Tara, 1978. Vintage original 23 x 16 ½” (59 x 42 cm.) poster, USA. Conserved on archival linen, minor wear addressed, near fine.

Craig Russell was an actor and self-identified female impersonator, whose roster included his takes on Bette Midler, Anita Bryant, Shirley Bassey, Judy Garland, Bette Davis and Tallulah Bankhead. By 1971 he was a regular performer in Toronto gay clubs, and soon after had a major international career. He starred in the 1977 movie OUTRAGEOUS!, which added to his reputation.

This poster is for a Carnegie Hall event one year after that film’s release.

WIZARD OF OZ, THE (1939) Oversize cast photo

Vintage original 8 ¾ x 10 ½” (22.5 x 27 cm.) photo, USA. Trimmed for publication, with light edge wear, very good. Judy Garland, Bert Lahr, Jack Haley, Ray Bolger, dir: Victor Fleming; MGM.

A double weight, oversized portrait of the four principals (Dorothy, Lion, Tin Man, and Scarecrow), with both printed studio text and an August 18 1939 date stamp on verso, along with various labels of later photo agencies. It is rare to find OZ photos in this format.

WIZARD OF OZ, THE (1939) Advertising still with Jack Haley as Tin Man

Vintage original 8 x 10” (20 x 25 cm.) black and white single weight glossy silver gelatin print still photo, USA. Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Jack Haley, Margaret Hamilton, Billie Burke dir: Victor Fleming; Metro-Goldwyn- Mayer. For publicity each of the stories main characters posed next to boards such as this so as newspapers and magazines could place their theatre or other advertisements onto the cube area. These photos were featured exclusively in the campaign book so as theatre owners could purchase them just for that purpose. They are very hard to find. Here is Jack Haley as the Tin Man. The photo is unused and displays a bit of curling only. ABOUT FINE.

ZIEGFELD FOLLIES (1946) Souvenir book

Vintage original 9 x 12 “ (22 x 30 cm.) paper cover book, 20 pages, USA. Fred Astaire, Lucille Ball, Lucille Bremer, Fanny Brice, Judy Garland, Lena Horn, Gene Kelly, Kathryn Grayson, Red Skelton, Esther Williams, William Powell, dir: Vincente Minnelli; Metro-Goldwyn-Mayer, The extravagant multi million dollar re-imagination of a Ziegfeld Follies show featuring the major MGM stars of musicals and comedy of the World War II era. So ambitious was producer Arthur Freed that the film segments spanned filming over a two year period— many of which were re-edited, re-arranged and then many which were completely cut. Bunin’s puppets animated William Powell’s history from Heaven introduction and the MGM dancers and show girls had constant employment for a long period while the various musical numbers were rehearsed and filmed. This is more than evident in the illustraions, which are presented in duotone, black and white and color. The sketch art of Lemuel Ayres are presented as is the Vargas art of Lucille Ball and the MGM dancers. Cover is lose and there is some soiling to front and back cover and a minor crease to the bottom left corner area which runs throughout the pages. NEAR FINE.

ZIEGFELD GIRL (1941) Oversize herald

Vintage original 16 x 11” (25 x 20 cm.) oversize deluxe two-sided herald, 4 pages, USA. Judy Garland, Lana Turner, Hedy Lamarr, James Stewart, dir: Robert Z. Leonard; Metro-Goldwyn-Mayer. The story of three girls in show business and the different paths their lives take is an archetype which has been played out in many variations. The film was in development since 1938 and was to originally star a combination of MGM top female stars of the time including Eleanor Powell, Joan Crawford, Virginia Bruce and Margaret Sullavan. However, by 1940, the script was developed for the new reigning female stars, Judy Garland, LanaTurner and Hedy Lamarr. James Stewart was given top billing as well as he had just won the Academy Award for best actor of 1940 as this film wrapped. The front of the herald features an artist’s depiction of a 1940 era style Ziegfeld Girl— though the actual period of the Follies was over during the 1920s. The herald opens up to a montage of photo scenes of the stars and the MGM dancers who played the Ziegfeld Girls of the film. There are some small chips at the right margin. There are two small pieces of tape on the front left side margin. ABOUT FINE.

ANGELA LANSBURY | MAME (1966) Broadway photo

Vintage original 8 x 10″ (20 x 25 cm.) black-and-white single weight glossy silver gelatin print still photo, USA. Minor wear, about fine.

Upon arriving from London in 1943, Angela Lansbury started her acting career as a leading character in the MGM film GASLIGHT. She was just 18, and for the next 20+ years played a great variety of characters on film and television.

She conquered Broadway in 1966 with MAME, the Jerry Herman musical based on the novel (and film) AUNTIE MAME by Patrick Dennis. Written for Judy Garland (who sang the entire score at an audition), Lansbury was felt to be more able to endure the rigors of Broadway. She won the Tony Award for her performance and performed the role at the Winter Garden Theatre between May 24, 1966, and March 30, 1968.

The musical role of Mame Dennis then became a plumb role for the middle-aged actresses of the day, with Celeste Holm, Ann Miller, Janis Paige, Ginger Rogers, Susan Hayward, Ann Southern and others taking it on in various productions.

This image of Lansbury with Frankie Michaels as Patrick is from UPI and is stamped. The attached paper blurb is for the photo’s use in an article from 1/28/71.

WIZARD OF OZ, THE (1939) “Triumphant return” cut scene lobby card

Vintage original 11 x 14” (28 x 35 cm.) lobby card, USA. Judy Garland, Frank Morgan, Ray Bolger, Jack Haley, Bert Lahr, Margaret Hamilton, Billie Burke, dir: Victor Fleming; Metro-Goldwyn-Mayer. A super rare scene is depicted on this lobby card from one of the most famous films of all time. The preview cut of the film included a musical reprise in the Emerald City of the song “Ding Dong the Witch is Dead” when Dorothy and her friends returned from the Witch’s castle. That musical number including the entire Emerald City ensemble was completely cut. This image is from that sequence. Today, the recording for the musical number exists. A fragment of the production number can be seen in the original 1939 trailer for the film. What is great about this card too is that the color is vibrant. The red in the cast title box and along the bottom is dark and vibrant, whereas on many original 1939 cards, this color either fades or was printed light, to begin with.There are two pin holes along the top blank white margin and one along the bottom of the right side margin. Tiny crease at top left corner. Really outstanding. ABOUT FINE.

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