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Walter Film recently acquired a remarkable collection of studio portraits of some of the major stars of Pre-Code Hollywood.  These oversized black-and-white double weight glossy silver gelatin portraits of the following:
Catalog 53 Features > A number of scarce movie scripts, among them THE SPY WHO CAME IN FROM THE COLD (1964), THE WILD BUNCh (1968), THELMA AND LOUISE (1990), and THE SHAWSHANK REDEMPTION (1992). > An entire section devoted to the career of preeminent queer filmmaker Kenneth Anger, including a script for his unrealized film THE GNOSTIC MASS (2002). > A substantial group of vintage photos of musicians, including Bob Dylan, Count Basie (a wonderful early portrait, inscribed and dated 1942), …
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Catalog 52 presented a collection of material represented by these six categories: FEATURED SELECTIONS, AFRICAN AMERICANA, LGBTQ, FILM NOIR, DIRECTORS and PHOTOGRAPHY. Here are five samples: Jim Sharman and Richard O’Brien’s July 18, 1974 film script for the THE ROCK HORROR PICTURE SHOW, Robert Mapplethorpe 1974 portrait of Phillip Glass The revised final draft screenplay for THE EXORCIST, 1972 Two vintage photos from Fritz Lang’s METROPOLIS, 1927 The origin…
Clarence Muse (October 14, 1889 – October 13, 1979) was an African American actor, screenwriter, director, singer, and composer. He was the first African American to appear in a starring role in a film, 1929’s Hearts in Dixie. He acted for 50 years and appeared in more than 150 films. He was inducted into the Black Filmmakers Hall of Fame in 1973.
June is Pride Month celebrating our LGBTQ community and its history. In its honor, WalterFilm.com presents six posters of performers and plays that reflect LGBTQ’s diversity and creativity. From Dame Judith Anderson, doyenne of the classical American stage, fulfilling her long-held desire to, at the age of seventy-three, play the title role in Hamlet, to Charles Ludlam’s first playwriting venture, Big Hotel, that became the unofficial manifesto of his Ridiculous…