SANDRA BERNHARD / I’M STILL HERE… DAMN IT! (1988) New York: Booth Theatre, [1988]. Vintage original 36 x 24 1/2″ (92 x 62 cm.) poster, USA. Folded (as issued), JUST ABOUT FINE.  VIEW DETAILS Poster for SANDRA BERNHARD: I’M STILL HERE… DAMN IT, a one-woman comedy show given in a limited engagement on Broadway, which ran from November 5, 1988 to January 2, 1989. In the late 1980s, In the middle of the 1970s Sandra Bernhard became a staple at The Comedy Store. As her pop…

Walter Film has acquired a collection of vintage original studio photographs of Rudolph Valentino from Four Horsemen Of The Apocalypse (1921), Camille (1921) with Alla Nazimova, A Sainted Devil (1924) See Image Above, The Son Of The Sheik (1926) and a hand tinted lobby card from the film that made him an international star, The Sheik (1921).

The four gifted LGBTQ individuals featured in this month’s blog made significant contributions in their respective fields during the first half of the 20th Century. Dorothy Arzner, a Lesbian, was, from 1927 until her retirement from feature film directing in 1943, the only female feature film director working in Hollywood for the better part of her career. Julian Eltinge, an American stage and film actor and female impersonator was a star in vaudevill…

Created for Manhattan’s famous gay disco, The Saint, this stunning poster archive consists of 33 extraordinary pieces and date from 1982 through 2004. The super club (as it was originally designated) opened September 30, 1980 and closed April 30, 1988. However, its spirit, the music and, of course, the dancing and everything that went with it, continues on as The Saint At Large. These pop-up events included the infamous Black and White Parties and annual Halloween and New Year’s Eve fant…

June is Pride Month celebrating our LGBTQ community and its history. In its honor, WalterFilm.com presents six posters of performers and plays that reflect LGBTQ’s diversity and creativity. From Dame Judith Anderson, doyenne of the classical American stage, fulfilling her long-held desire to, at the age of seventy-three, play the title role in Hamlet, to Charles Ludlam’s first playwriting venture, Big Hotel, that became the unofficial manifesto of his Ridiculous…